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Tag: One Week

ep. 32: meeting audience expectations, tips on choosing a comedy short, and a trip to Nebraska

May 27, 2019 Ben Model Leave a comment

On this episode of the podcast, I discuss meeting an audience’s expectations while staying true to the film’s original culture,…

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Posted in: Podcast Filed under: Arthur Kleiner, boise philharmonic, Egyptian Theatre, One Week

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Recent Posts

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  • Exploring the Speed of Silent Comedy Film – test #1
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  • ep. 38: scoring for scenes that suggest or specify a piece of music, and scoring a film from 1948
  • ep. 37: Mostly Lost, Keaton’s The Cameraman and The General, an electric organ and Laurel & Hardy
  • ep. 36: scoring Robin Hood and a 1927 Carmen, using the orchestral and cartoony sounds of a theatre organ, more live-streaming
  • ep. 35: Pottery at the Met, Behind the Door in Nebraska, Eisenstein in Bklyn, Clair on Long Island, plus FAQ
  • ep. 34: the Silent Comedy Watch Party, scoring Hitchcock, “Intrigue” and Nell Shipman, plus FAQ
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