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silent film accompanist and presenter
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Tag: Lost Film

Parallel Exit Ben Model Joel Jeske

Working with People Who Haven’t Been Dead for 60 Years

December 4, 2017 Ben Model Leave a comment

“Have you ever scored any new films, like regular movies, not silent ones?” It’s a question I get asked by…

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Posted in: Physical Comedy Theater Filed under: ben model, Big Apple Circus, buster keaton, Charlie Chaplin, Circus, comedy, Lost Film, parallel exit, silent film, The Final Reel

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Recent Posts

  • Exploring the Speed of Silent Comedy Film – test #5
  • Exploring the Speed of Silent Comedy Film – test #4
  • Exploring the Speed of Silent Comedy Film – test #3
  • Exploring the Speed of Silent Comedy Film – test #2
  • Exploring the Speed of Silent Comedy Film – test #1
  • “Her Painted Hero”, Shot Through a Projector
  • To Blu or Not To Blu – Some Final Thoughts
  • Physical Media: “I’m Not Dead Yet”
  • For Some Fans, the Step Up to Blu-ray Means Replacing the Fridge
  • The Blu-ray Difference is Green
  • Being The Warehouse
  • Pressed DVDs vs. Burned
  • Why Isn’t This on Blu-ray? – a blog series
  • Battling the Elements at 16 Frames Per Second
  • ep. 38: scoring for scenes that suggest or specify a piece of music, and scoring a film from 1948
  • ep. 37: Mostly Lost, Keaton’s The Cameraman and The General, an electric organ and Laurel & Hardy
  • ep. 36: scoring Robin Hood and a 1927 Carmen, using the orchestral and cartoony sounds of a theatre organ, more live-streaming
  • ep. 35: Pottery at the Met, Behind the Door in Nebraska, Eisenstein in Bklyn, Clair on Long Island, plus FAQ
  • ep. 34: the Silent Comedy Watch Party, scoring Hitchcock, “Intrigue” and Nell Shipman, plus FAQ
  • Live Accompaniment and Air Conditioning

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