The question I am asked most often at show Q&A’s, social situations and in press interviews is one I still…
On Wednesday, Nov 20 at 7pm, there will be a presentation at MoMA about Arthur Kleiner, silent film accompanist. It’s…
I make mistakes during shows, and usually I’m the only one who notices. As an artist, often that’s all I…
There’s another by-product of my doing a live score for the 1931 Dracula, one that I think is a little…
It may be sacrilege to add music to the 1931 Dracula, and it might also be a great idea. It…
I found myself in a near-trance state, accompanying the 1912 Les amours de la reine Élisabeth (Queen Elizabeth) yesterday at…
I don’t know what possessed me to do this, but I’ve started a vlog. I may not have the patience…
In revisiting one of Chaplin’s best comedy shorts, one of my and many others’ favorites, I noticed something slightly unusual…
“It was Blanchette Rockefeller’s piano,” I was told when I was introduced to the instrument in 2003. This was at…
Getting to accompany silent films for MoMA’s Modern Matinees series Iris Barry’s History of Film gives me two ways to…