Chapters 4 and 5 of The Silent Clowns’ “Part One” illuminate the two most important elements of what makes silent film Silent Film, a specific entertainment medium of its own. As opposed to seeing it as regular film or video… Read More »One of the Five Senses
Chapter 3, “The Fact in the Fantasy”, reminds us that Silent Film – although silent, monochromatic and slightly faster – is still a capturing of reality on celluloid. Regardless of the aspects of the medium that are either what make… Read More »Reality, Depicted and Altered
A friend of mine once enlikened watching a silent film, especially in a theater, to being in a sort of trance state. An apt distillation of what Walter Kerr discusses in chapter two of The Silent Clowns’ Part One, “The… Read More »Reality, Minus some of the Logic and Consequence
Walter Kerr opens his book The Silent Clowns with five chapters on the core aesthetics of Silent Film itself. Perhaps not an obvious choice for a tome on comedy films from the ‘teens and ‘twenties, but I believe that understanding… Read More »More Logical The Other Way Around
We’ve all heard of or referred to Silent Film as a universal language. It’s not just because the films are wordless, although that certainly levels the playing field. But it’s true. But it’s because of that same leaving-out that is… Read More »A Universal Non-Spoken Language
We use our imagination to fill in the elements left out, with Silent Film. As obvious as this may be to adults who’ve seen silent film, it’s ironic that there’s an assumption that kids won’t go for silents. Ironic, because… Read More »That’s Not a Real Car
People who haven’t seen Silent Film — or experienced it — are always surprised to know there’s an interest in it. When I tell people kids eat it up when I show Keaton in schools they are amazed. They shouldn’t… Read More »The Reason Silent Film “Still Works”: Your Brain
Buster Keaton had an astounding grasp of what works at what cranking speed and how best to compensate for these frame rates physically. It’s part of his comedic toolbox and was part of his filmic style. This is what makes… Read More »Battling the Elements at 16 Frames Per Second
“Silent films were never really silent” is one of the main tenets one hears or says in defense of silent films. The medium’s name itself has stuck since the talkie transition, conjuring up a negative in the imagination of anyone… Read More »Not All Silent Film Needs A Reality Check
There is a notion that silent films should be shown at what is often referred to as “silent speed”, or 18 frames per second. In the silent era, motion picture projectors were hand-cranked and, later, motorized but with rheostats. A… Read More »“Silent Speed” and 16mm Projectors