Ben Model, silent film composer accompanist historian

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verdensteatret ben model pianoBen Model has served as resident silent film accompanist on both piano and organ for The Museum of Modern Art (MoMA) in New York City for over 25 years.  He has played for silents in many other theatres, museums, universities , schools and other venues around the U.S. (and in Norway!), has recorded numerous scores for silent film DVDs, and produces The Silent Clowns Film Series  with film historian Bruce Lawton.

Ben composes and improvises all his own scores, and performs in a style that is  evocative of the silent era.  Ben is also a silent film historian, and frequently introduces the films he accompanies.  In the spring of 2006, Ben co-curated MoMA's acclaimed two-month retrospective of the films of Roscoe "Fatty" Arbuckle. and in the May of 2009 he co-curated MoMA's series Cruel and Unusual Comedy: Social Commentary in the American Slapstick Film, which he also co-taught as a class for MoMA in November 2008.  A second round of five Cruel and Unusual Comedy shows was screened at MoMA in October 2010.

theatre organ ben modelBen is also the curator of the new Ernie Kovacs DVD box set from Shout Factory, "The Ernie Kovacs Collection".  The monumental career-retrospective set of 13+ hours of Kovacs shows is now available for pre-order and will be released  in April 2011. Visit Ben's Ernie Kovacs website – www.erniekovacs.info – for details!

Ben has been fortunate to have had his lifelong passion for silent film fostered by important figures in classic cinema: he grew up watching silent movies at the home of Walter Kerr, drama critic and author of "The Silent Clowns" (Knopf, 1975), he accompanied silent movies for noted film historian William K. Everson's classes at NYU while attending film school there, and learned the craft and technique of silent film scoring from legendary silent film organist Lee Erwin. 

Ben can be found at the piano or organ bench for regularly-scheduled series at the Silent Clowns Film Series and at the Cinema Arts Centre on Long Island.  Once a month, somewhere in the U.S., one of his orchestral or concert band silent film scores is being performed (although, in fall 2010 they were also done in Hong Kong and Canada).